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This Corporate Battle Over the Cable News Network Shows The Extent to Which Dysfunctional US Media Now Is.

Late Thursday, while unconfirmed reports spread about the Brown University gunman, the network's Kaitlan Collins posted on social media, noting the confusion and directing people to her network’s 9pm newscast.

Although it is by no means a impeccable news source, her words rang true for numerous observers. It remains one of the outlets where you can find grounded and largely dependable reporting – notably during breaking news situations like the one taking place close to a New Hampshire storage facility.

A Precarious Situation During a Corporate Battle

But the news network, now middle-aged, finds itself in a precarious position as two massive media empires vie for ownership of its parent company, Warner Bros Discovery.

No matter the result, the fate of CNN has turned into a major game of corporate ownership, not as a question of what helps the news-consuming public.

“Here is one more case of the deep structural problems with origins in many years of policy decisions,” said Victor Pickard, author of “Democracy Without Journalism?” and a professor of media policy at the Penn.

The debate about who will own Warner Bros Discovery – will it be Netflix or Paramount Skydance? – overlooks a more important point.

“It gets presented as a financial tale with key players as the central actors, but there is hardly any discussion of the societal benefit,” Pickard added.

A Further Factor: Political Influence

The CNN scenario is further muddied by Donald Trump’s opinions about a network he has consistently labeled as perhaps his primary “fake news” foe.

Recall the cries of “CNN sucks!” at the president’s rallies, his administration’s punitive suspension of reporter Jim Acosta’s press credentials, or his sparring with Collins in official meetings.

Trump now claims that CNN needs new ownership. Many see this as a desire for ownership that will insulate him from negative coverage and examination. That is part of why he seems to support Paramount Skydance, which has made a hostile bid.

He has grounds to prefer that bidder more. For one thing, it is controlled by David Ellison, son of the ally of Trump Larry Ellison, one of the world’s richest people.

Paramount, owner of CBS News, also recently placed the conservative Bari Weiss, famous for her “anti-woke” beliefs, as the top editor of that venerable news network.

A Possibility of Further Turmoil

It is important to note, if Netflix wins, CNN and other cable outlets would first be separated into a standalone company. Such a move could be a welcome development to many at the network, but it’s not exactly a safe harbor. That arrangement could position CNN for a future sale. There is no finish line.

If you ask Timothy Wu, a lot of this is against the law, anyway. The well-known analyst of big tech’s dominance wrote recently that competition laws should prohibit both deals.

“Both acquisition attempts would be bad for the country, and both should be contested by the government,” Wu argued.

The Core Issue and a Path Forward

Regardless of the resolution with this particular battle, the underlying crisis persists.

“The present media landscape is a very structure that undermines democracy, but we shouldn’t give in to a sense of powerlessness,” Pickard noted. Regulatory choices – from the 1930s and 1940s – helped to foster this hyper-commercialized monster, and different policy decisions can tackle it.

Will that happen in an era where the head of the FCC will not confirm that the agency is independent? Change is a distant prospect now, but that should not imply it will not happen in the future.

Measures that bolster independent news organizations, aid local journalism, finance public media, and outlaw the accumulation of media power in very few hands are achievable – they are necessary for a healthy democracy.

When it comes to media ownership, larger is not superior. And news organizations including CNN shouldn’t be pawns in the newest corporate chess match.

Written by

Christopher White

Elara Vance is a film critic and entertainment journalist with over a decade of experience covering Hollywood and indie cinema.

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